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不安分的年轻人们
法国法语1958
  Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

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当女人爱上男人粤语
香港粤语1997
  该剧讲述的是四个白领丽人各自不同的情感历程和人生变迁。林宝珍(郭可盈)、杨美兰(梅小惠)、庄泳琳(刘锦玲)、丁晓雯(江欣燕)四个性格迥异的白领丽人因为工作关系成为要好朋友。  林宝珍和杨美兰及庄泳琳三个人均已结婚,并都为自己找到归宿而感到满意,不料他们所托负终生的人并非君子良人,复杂的社会人际关系,充满了各种诱惑,而且这诱惑往往是致命的陷井,林宝珍的丈夫吕家安(张国强)搭上患有精神病的情妇,本打算一夜风流的安被情妇死死缠住,险些导致家破人亡,恶梦醒来,恍如隔世。  杨美兰的丈夫王志祥(魏骏杰)作投机生意欠下巨额债务,以致被债主逼得走投无路,为了还债,竟然丧尽天良,欲杀妻子谋取巨额保险金,好在阴谋没有得逞。庄泳琳的老公简兆天(魏骏杰)是占有欲极强,妒忌心极重的小男人,只是因为太爱庄泳琳而走向极端并常虐待她,以致俩人感情破裂,最终三个人几经风雨,几经波折,终能与各自的丈夫解除婚姻,重新成为“自由人”。  聪明能干的丁晓雯是四个女人中唯一待字闺中的单身女郎,她对终身伴侣的要求极高,终于她遇上梦寐以求的白马王子,但结果却换来了惨痛的经历。尽管这样,四个人的爱情和生活的路上,终于重新振作,勇敢面对未来。

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