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爱就爱到底
大陆国语2010
  八年前,王进和丁玉广同时进的毛纺厂,又同时做了杨师傅的关门徒弟。故事开始的时候,杨师傅早已退休,王进已经在厂销售科干了好几年的销售,丁玉广则成了厂里的工程师。两个人都特别上进,而且又都喜欢上了师傅的女儿杨溪。   杨师傅对两个关门徒弟都很喜欢,师母更喜欢丁玉广,总觉得女儿将来和丁生活在一起才让人踏实。但师母意外地发现,杨溪却已经跟同住老院子里的王进“私订”了终身。   毛纺厂产品结构老化,近几年来效益一直不好。丁玉广从技改的角度研发了一种新型产品,但因为缺乏足够资金不能投入试生产。   王进则费了好大的劲,找到一家有投资意向的经销商。而就是为了拿下这个经销商,王进阴差阳错地身陷囹圄,继而又身败名裂。不得已憋着一口气远走它乡,企望出人头地后洗刷掉自己身上的所有污浊。杨溪不理解王进的行为,两人性格、生活观念上的差异让杨溪对王进彻底失去了信心。   七年后,王进衣锦还乡。杨溪却已经成了丁玉广的妻子。虽然生活艰难,但五岁的儿子却给他们带来了极大的幸福感。   王进回到小城组建了一个布料批发市场,同时还大手笔地投资了厂里始终没搞成的技改项目。王进与丁玉广这对师兄弟,在埋藏着旧日恩怨的同时也开始了事业上的合作。   王进的投资给工厂带来了一线希望。然而除了王进和刘厂长几个人,谁也不知道,这一成功合作的背后,国家财产和职工的血汗将要流失多少……王进的野心和贪婪甚至让人有些不寒而栗。这注定让他和丁玉广的合作充满了矛盾冲突。加之这对师兄弟的旧日恩怨,一场与爱有关,但无法预料结果的奋斗渐次上演了。   杨溪成了两个男人之间最痛苦的角色。旧日恩怨由她而起,眼前的矛盾冲突也与她有着千丝万缕的联系。在给两个男人带来痛苦的同时,杨溪也帮他们获得了勇气和智慧,唤醒了他们的良知。   花无百日红,腰缠万贯的王进,终于偿到了损害国家利益、损害工友利益给他带来的苦果。但是,在王进最艰难的时候,杨溪和丁玉广以及工友们拯救了他。王进也找回了灵魂,找回了良知,找回了始终萦绕在他心中的那份令人荡气回肠的感情。   于是,在最危险的那一刻,王进可以心甘情愿地去为别人牺牲,因为他已经深深地感觉到,这是人生的最高价值和幸福。

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卧龙战警
美国英语1992
  Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?  Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.  The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.  Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.  However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

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