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幸存者:珍珠岛第七季
美国英语2003
  《幸存者》是一类热门的真人秀类比赛节目,在全球各地的电台多有举办。在这类比赛中,参赛选手被孤立在遥远而鲜有人住的地区,通过比赛赢得奖金。此类节目始于1992年英国。  美国的《幸存者》节目始于1999年,曾先后被NBC, ABC, CBS电台拒绝,后来终被CBS台买下并于2000年开始制作。  《幸存者:珍珠岛》是CBS热门真人秀幸存者的第七季,拍摄于2003年,首播于03年9月28日。比赛地点是巴拿马附近的珍珠岛,历史上曾是海盗活动猖獗的地方。因此该季度两个部落的名字分别为Francis Drake(伊丽莎白一世执政期间的著名海盗)和Henry Morgan(十七世纪加勒比海最大胆和成功的海盗)。合并后的部落名为Balboa(16世纪杰出的探险家)。  《幸存者:珍珠岛》是自幸存者开播而来,观看率最高的一季,出现了众多新元素:独一无二的大逆转,放逐岛、战利品、隐藏的宝藏;个性鲜明、令人难忘的参赛者(Rupert Boneham, Jon Dalton)。比赛开始的第一天,一众参赛者盛装打扮,登船后却震惊地得知不能带行李、只能穿着身上衣服比赛。他们可以在附近的一个渔村用发下来的100美元资金加上自己的饰物换取生活必需品。  本季最大的一次逆转,是头6名出局的选手有机会再回到游戏中,过程如何操作?谁将得到重生的机会?

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总路线
其它其它1929
  Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".  It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.  And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).  Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.  And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

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