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不安
其它其它1954
  Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

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三关点帅
大陆国语1984
  中文名三关点帅  导  演孙元勋  编  剧张翔 张晏杰 梁枫  三关点帅  主 演:李月仙 阎慧贞 高翠英 郭彩萍 赵吉祥  主 任:陈新  地 区:中国大陆  颜 色:彩色  类 型:戏曲片(晋剧)  北宋真宗时期,宋辽之间进行了一场旷日持久的战争。时值中秋,辽邦大元帅肖天佐,举兵南侵,在边关之外摆下了一座"天门大阵",要与宋军决一死战,以实现南进中原之野心。三关元帅杨延昭,为戍边破敌,亲率焦、孟二将及其他将士试探"天门阵",不料被辽兵察觉,引起激战。杨延昭力斩辽将,趁势追歼,不料误入迷阵,眼看就有落马被擒之险。此时在峭峰观战的穆桂英飞身杀入阵中,其势锐不可当。肖天佐不支,落荒而逃。穆桂英带领杨延昭夺路而出,化验为夷。杨延昭在急难中巧遇智勇神将,大为惊叹。回营后,杨延昭力荐穆桂英,而代表皇权势力的八贤王却认为穆桂英是山寇之女,其父又是罪臣,不应起用。延昭之子杨宗保,一日奉命巡营来到穆山脚下,为了争一只大雁,被穆桂英"捉"上山寨,二人一见倾心,私定了终身。延昭得知此事非常高兴。但穆家积怨未消,不肯下山扶宋,使他怀若抱冰。在这战不能胜,求救无援、请贤不到的紧急情况下,杨延昭果断地采取了计斩宗保、引贤下山的妙计。穆桂英下山,献出了"破阵方略图"。杨延昭观图后更觉穆桂英不仅武艺超群,而且韬略在胸,认定这才是年轻有为、才华出众、制服辽邦的三关统帅。杨延昭决心将帅印让给穆桂英。八贤王却坚决反对,两人为此相争不下,形成僵局,最后他不得不以"交印"相激才使八贤王让步。穆桂英登上帅位,手捧皇家玉玺,亲率士卒投入收复失地、保卫边关的抗辽战斗中。

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