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青铜匕首
大陆国语2008
  1934年,军阀混战,陕西靖镇的石家意外地发现了一支青铜匕首,而种种迹象表明,这很可能是“荆轲刺秦”使用过的那一件。石家的父亲遂将匕首秘藏。哪想靖镇从此永无宁日:声名狼藉,以游克文为首的凤翔军阀前往搜寻。于是,没有在荆轲手中完成刺杀任务的青铜匕首在沉睡了两千年后苏醒,而伴随其重生《青铜匕首》海报的是更为可怕的嗜血的欲念。围绕着对青铜匕首的争夺,石家的父亲、大嫂,石家兄弟的恩师穆识子父女皆惨死在匪首游克文的手中。石多哥、石有书两兄弟由此展开了殊途同归的复仇计划。十年间,弟弟石多哥从一个怀有满腔义愤的莽撞少年成长为训练有素、果敢刚毅的抗日刺客。而哥哥石有书却令人迷惑地以造假的方式试图消解青铜匕首的价值,并在这个过程中由沉迷而沉沦。石有书近乎变态的心理使他与石多哥的人生之路大相径庭,以至于最终葬送了他费尽心机从弟弟手中抢夺来的爱人云妹儿的生命。夹在兄弟间的云妹儿温顺隐忍,却被命运捉弄,与真心恋人石多哥擦肩而过,最终成为石有书的太太。最后关头,她只得带着青铜匕首,对命运做出绝地反抗,以此祭奠她与石多哥今生无果的不了情——  真正的青铜匕首还会出现吗?那将是一个无尽的、发人深省的国宝之谜——

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鸽哨
大陆国语2011
  出品单位: 北京影迪通文化发展有限公司  曾经年轻美丽的女通讯兵耿鸽,现在是干瘪蹒跚的独居老妪。儿女不在身边的耿老太,性格怪癖,脾气暴戾,间或沉默无语,间或滔滔不绝。唯一能够见到她笑容、听到她温和的声音的时候,是她和院子里的弱智小园丁在一起的时候。  她不厌其烦地教他对人们正确的称呼,却永远都是徒劳,而耿老太乐此不疲。绰号“粽子”的年轻小混混,曾经是一个好学生,无奈家贫,只好辍学进城谋生。粽子不是无所事事、毫无节制的混,他发小广告、倒卖文物等无固定收入的做一些事情以给母亲和弟弟提供医药费与学费,有时连自己的生活都难以维持。  一次偶然,粽子与耿老太相识。耿老太强行给粽子看她那些锁在玻璃柜子里的军功章,讲它们的来历。起初,粽子对她讲的那些遥远的故事并没有多少兴趣。唯一吸引他的,是柜子里被耿老太看得很紧的那把青铜古刀。耿老太像个孤独的孩子似的,对唯一“愿意”和她说话的粽子渐渐产生了依赖,她用她独特的强制专横的方法让粽子常来看她。为了那把刀,粽子开始不时地来耿老太家。  耿老太总是喜欢站在窗前,看一群群鸽子飞过,听鸽哨阵阵,她的脸上浮现出少年的颜色。耿老太孤独的境遇渐渐地让粽子内心柔软起来;老人那些曾经年轻美丽的英姿飒爽的照片,让粽子渐渐对她讲的那些战争岁月的故事而感动;老人对粽子渐渐不再设防的种种表现,让粽子开始怀疑自己起初来这里的动机。看着那把古刀静静地躺在没有上锁的柜子里,粽子不知道该不该把它拿走……

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最后的科学怪人
日本日语1991
  This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.  comments from imdb:  This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.  This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.  The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.  I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.  15 out of 10 and then some. 10/10  Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.  And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.  The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".  Intelligent, emotional, tragic and real, this is an absolute gem. 9/10

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