15岁的艾利克斯来自一个天主教家庭，他希望自己将来能成为一个牧师。当他无意中发现并打开了一个神秘的盒子之后，放出了一个一心要占据他身体的恶魔。艾利克斯必须找到办法打败这个一直在折磨儿童的古老的恶魔，否则将会毁掉他和所有他爱的人。

　　一个考古学教授带着几个年轻学生在树林里寻找一个神秘的洞窟，据说埋藏着古代的秘密。他们最终找到地方的时候，队伍中的几个人露出了贪婪的面目，把其余人绑起来，想夺走洞中的宝物。没想到在洞中搜寻宝物时，其中一人拿到一顶诅咒的王冠，无意中释放出了宝藏的守护者——一只隐形的怪物，它似乎跟外星人有关。怪物一路追杀，将这一行人逐个杀死……

　　A mad scientist creates a monster, but after its head is cut off, he keeps it alive in a serum he has invented.

　　五名劫匪在作案后劫机试图飞往墨西哥边境，但其中一个为私吞赃物而带钱跳伞逃走，众人无奈只能追其而去。然而他们不知道现在所处的地方竟是一个被巫术诅咒已久的稻草人墓地，人们接连被复活的稻草人杀害。不过凡是在此被杀的死者都会变成活死人追杀其他幸存的人类，劫匪们被逼入了绝境……　　这是狮门影业经典的恐怖电影，被影迷誉为史上最棒的稻草人杀手电影。此片最大魔力在于，虽然剧情有点沉闷，但它还能使你饶有兴致地观看下去。电影气氛诡异，灯光效果设置绝佳，血腥的狗血镜头加上稻草人丧尸们那恐怖的外形绝对会给观众带来超级震撼的感受。

　　Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

　　影片讲述了幼年丧父的捉妖师关灯，靠着自己捉妖驱魔的技法维持生计却意外地卷进了西方恶魔的大阴谋，一场浩劫将血洗恶魔镇。关灯在恶魔镇经历了悲喜离合，他与恶魔镇的羁绊也越来越深。善良正义的关灯决定肩负起恶魔镇的命运，最终携手众妖重新封印了恶魔，使恶魔镇恢复了往日的平静的同时关灯也收获了自己爱情的故事。

　　

　　人生下半场一起寻找爱情的50代人恋爱真人秀。

　　故事发生在一间小小的侦探事务所里，这里的主人是一名叫做姜泰锡（薛景求 饰）的男子。曾经在警界叱咤风云的姜泰锡，做起私家侦探来亦是得心应手。某一日，姜泰锡接受了一个调查出轨事件的委托，而这个看似平常的委托却彻底打破了姜泰锡平静的生活。来到事件的现场，本以为眼前会是一副香艳场面的姜泰锡却看见一具女尸出现在了视野之中，随即而来的骚乱让他明白自己掉入了某人一手编织的圈套之中。　　姜泰锡接到一神秘电话，电话中人告诉姜泰锡，若想要重获清白，唯有按照他的指使做事，而姜泰锡的一举一动，都尽收在这个神秘人物的眼底。为了重获自由，也为了查明事件的真相，属于姜泰锡的大逃亡开始了。

山罔百介，一个为撰写《百物语》而游历诸国的隐居者，在一个雨夜因为自己的迟钝邂逅了一个神秘的“三人组”：擅长骗术的御行师——又市先生；擅长操纵玩偶的傀儡师——阿银小姐；擅长鸟寄的模仿师——长耳先生。至此，卷入了一系列诡异的事件之中，这些事件成就了他的《百物语》的素材。“三人组”从开始到最后都一直充满着神秘感，经常不经意的出现又突然消失，但是他们出现的地方都是伴随着诡异的流言，他们似乎是生活在黑暗世界的人，很有可能是阴间（后期百介在一份资料中查得长耳如果活着的话应该200岁了）。还有那间或出现的京极亭，似乎控制着“三人组”，还有黑庵、白庵这两个欧巴桑，处处都透着神秘。 百介随着“三人组”见识了种种诡异事件，这里面的鬼怪并不像人们平常所想象的那种，他们都是那些平常生活在我们身边的人变的。人性有着黑暗的一面，当你因为某种事而舍弃自己的人性，逃避起来，那扭曲的人心使你开始变成了所谓的“鬼”，一次又一次地犯下罪行，而不自知。带有悬遗的剧情、弥漫着的恐怖的氛围、四处飞溅的鲜血、各种贪婪变态的行为处处给你以心灵的震撼，“三人组”以他们特有的手段将那些隐藏在暗处的罪恶曝露在人前，再对他们用符进行“御行为奉”。伴随着寂静的铃声，有市缓缓道出：“踏上正道便能功成名遂，步入歧途就会墮入深渊，毕竟不过是梦境和虚幻，邪念和野心在黑暗中消失，留在世间的只有诡异流言。” 

佩妮（吴家丽 饰）和温蒂（彭丹 饰）是在同一间保险公司里上班的同事，因为业绩突出，温蒂屡屡遭到上司的提拔，与此同时，温蒂拥有着美丽的外表，身边追求者无数，和她比起来相去甚远的佩妮感到心里很不是滋味。一次偶然中，佩妮发现温蒂竟然在自己的电脑里窃取客户的资料，愤怒之中，她决定前往外国，注射了一种传说中可以令人永葆青春的蛇血清。回到国内后，佩妮发现，体内的蛇血清和她的身体起了化学反应，令她身中剧毒，而唯一能够暂时缓解毒性的，只有人类的骨髓。就这样，佩妮化身蛇女，出没于黑色之中袭击人类，警察山姆（林保怡 饰）很快就将目标锁定在了她的身上。