在华尔街经营一家公司的年轻商人威尔（亨利·卡维尔 Henry Cavill 饰）从百忙之中抽身，飞往西班牙一处海滨小镇与家人度假。事隔多年，他与父亲马丁（布鲁斯·威利斯 Bruce Willis 饰）、母亲、弟弟乔什（莱菲·盖夫隆 Rafi Gavron 饰）及其女友达 拉（艾玛·汉密尔顿 Emma Hamilton 饰）相聚。家人围坐餐桌，其乐融融。但是祥和的气氛很快便被破坏，威尔接到公司破产的电话，心情糟糕到极点，由此也与家人的关系紧张起来。航海途中达拉意外受伤，当威尔去镇上买药期间，留在船上的家人却遭到绑架。焦急的威尔在当地无人可信，他独自搜索家人的下落，在此过程中竟发现了关于父亲和事件背后的诸多秘密……

　　

　　桑福德（约翰·库萨克 John Cusack 饰）是一名精神病医生，在治愈他人疾病的同时，桑福德自己的家庭却伤痕累累。儿子本杰（伊万·伯德 Evan Bird 饰）年纪轻轻却因为吸毒而被关进了戒毒所，女儿阿加莎（米娅·华希科沃斯卡 Mia Wasikowska 饰）更糟，她竟然因为纵火而被关入了精神病院。　　不仅家庭生活陷入了困境，桑福德的事业亦走到了瓶颈，哈瓦那（朱丽安·摩尔 Julianne Moore 饰）是桑福德的病人，亦是一名演员，她生活在同为著名演员的母亲的阴影之下，甚至连做梦也被母亲的幻影所纠缠。阿加莎出院了，本杰亦回归了家庭之中，孩子们的归来带给桑福德的是更大的麻烦，和更混乱的生活。

　　本剧改编自詹姆斯·S·A·科里的科幻小说，讲述200年后一个被殖民的星系中，两个陌生人在不知不觉中卷入了一场巨大的阴谋。

　　索菲娅·莉莉丝([小丑回魂])将参演华纳打造的新片[南希·德鲁和隐藏的楼梯](Nancy Drew and the Hidden Staircase，暂译)。早在1939年华纳曾打造老版电影。影片故事讲述维多利亚时代，一对上了年纪的姐妹在房里遭遇奇怪事件，而她们更是被指控谋杀。而南希必须找到个中原因，以此还两姐妹清白。该片由艾伦·德杰尼勒斯、杰夫·克利曼制片，预计今年5月展开拍摄。

　　剧集为观众打开一扇门，回到二十世纪五十年代的伦敦东区，而故事仍将围绕这群特殊的助产士和护理修女展开。护士珍妮·李和来自Nonnatus修道院的助产士和修女们拜访Poplar区的准妈妈们，并为最贫穷的妇女提供最好的照顾。在这一季中，我们将看到Chummy、Noakes和小Freddy回到了伦敦东区，修女Bernadette(离开修道院后被称为Shelagh)正在为她与特纳医生的婚礼做准备，而珍妮面临着个人生活和职业上的巨大挑战。圣诞节期间，在Nonnatus修道院附近的仓库下发现了一枚未爆炸的二战炸弹，修女们和几十个当地家庭发现自己无家可归。特纳医生正在与时间赛跑，为儿童接种小儿麻痹症疫苗，但当这种疾病逼近时，他发现除了抱有希望，竟别无他法。当一名皇室访客来到东区，Chummy说服他们开放新的社区中心。这是一场与时间的赛跑，而Chummy试图准备就绪，迎接大日子。　　编剧海蒂·托马斯根据詹妮弗·沃斯的回忆录改编的剧集成为BBC最成功的电视剧之一，并在播出两季之后续拍。前两季中备受喜爱的角色将全部回归，第三季中还添加了一些新角色。

　　CBS宣布续订《海军罪案调查处：新奥尔良》第7季。

　　故事发生在1955年的法国南特，彼时那里正在进行一场轰轰烈烈的工人罢工运动，而钢铁工人弗朗西斯（理查·贝里 Richard Berry 饰）就是参与其中的一员。弗朗西斯租下了寡妇玛格特（达尼尔·达黎欧 Danielle Darrieux 饰）手里的一间房子，玛格特虽然是资产阶级，但是却对工人阶级充满了同情，时长向他们伸出援手。　　弗朗西斯有一个相恋多年的女友瓦雷特（Fabienne Guyon 饰），虽然瓦雷特腹中已经怀上了他的孩子，但这个冷漠残酷的男人还是选择抛弃了她，转而将注意力投向了一个名叫艾迪斯（多米尼克·桑达 Dominique Sanda）的女人。艾迪斯嫁给了一个富有的商人，可婚后的生活却令她苦不堪言，为了排遣内心的愤懑，艾迪斯偷偷从事着妓女的职业。

　　故事情节由《迷失》制片人构思，描述了一个发生在现代社会里的“黑色童话故事”。　　Emma（詹妮弗·莫里森 Jennifer Morrison 饰）打破了Story Book的诅咒，小镇上的每个人都恢复了在童话世界的记忆。而她也终于和母亲白雪公主（金妮弗·古德温 Ginnifer Goodwin 饰）和父亲白马王子（乔舒华·达拉斯 Joshua Dallas 饰）相认。但Mr. Gold（罗伯特·卡莱尔 Robert Carlyle 饰）再一次把魔法带到了这个小镇，他使用黑魔法召唤出了怪物。童话世界菲利普王子吻醒了被魔咒束缚的奥萝拉公主，两人准备开始幸福的生活，可遭遇怪物，菲利普为了保护奥萝拉而惨遭摄魂。与此同时，与同样恢复魔法的Regina（拉娜·帕瑞拉 Lana Parrilla 饰）对峙的Emma母女却掉入童话世界。这一次Emma又要经历怎样的离奇经历呢？

　　随着一位有精神问题的“连环律师”的到来，化妆师“芬奇·达”平静的生活被打乱。在道德、法律与人性面前，他将面临艰难的抉择。　　A passionate make-up artist has his life turned upside down when a psychopathic "serial lawyer" takes an interest in his work - and has his moral compass put to test.

　　Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

　　Fitness instructor Julia is down on her luck, trying to make her baby boot camp a thriving business. To make ends meet, she becomes a part-time nanny for a single widowed father. Trouble is, she knows nothing about taking care of children.